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English Double Bass by John Thomas Hart, London circa 1850 – Review – The  Contrabass Shoppe
English Double Bass by John Thomas Hart, London circa 1850 – Review – The Contrabass Shoppe

Violon Eckhardt-Gramatté Joachim George Chanot I v. 1830-1850 | Banque  d'instruments de musique
Violon Eckhardt-Gramatté Joachim George Chanot I v. 1830-1850 | Banque d'instruments de musique

Bonhams : A French Violin attributed to F.Chanot/ JBV circa 1820 (2)
Bonhams : A French Violin attributed to F.Chanot/ JBV circa 1820 (2)

Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle  ressources
Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle ressources

Proantic: Mute Violin By Chanot & Chardon
Proantic: Mute Violin By Chanot & Chardon

Scroll volute hi-res stock photography and images - Page 2 - Alamy
Scroll volute hi-res stock photography and images - Page 2 - Alamy

Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle  ressources
Violon - Collections du Musée de la musique - Philharmonie de Paris - Pôle ressources

From the archive: a 1717 Brescian cello by Pietro Giacomo Rogeri | Focus |  The Strad
From the archive: a 1717 Brescian cello by Pietro Giacomo Rogeri | Focus | The Strad

Violin without sides"
Violin without sides"

In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad
In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad

Archivio della Liuteria Cremonese | Instruments | 1726 c. - Violin "Chanot-Chardon  - Braga"
Archivio della Liuteria Cremonese | Instruments | 1726 c. - Violin "Chanot-Chardon - Braga"

Copy of the 'Chanot-Chardon' Stradivarius
Copy of the 'Chanot-Chardon' Stradivarius

Sandor Nagy | Tarisio
Sandor Nagy | Tarisio

In focus: the 1706 'Brott-Turner/Schumacher' Tecchler cello | Focus | The  Strad
In focus: the 1706 'Brott-Turner/Schumacher' Tecchler cello | Focus | The Strad

Proantic: Mute Violin By Chanot & Chardon
Proantic: Mute Violin By Chanot & Chardon

Violin-making, as it was and is : being a historical, theoretical, and  practical treatise on the science and art of violin-making, for the use of  violin makers and players, amateur and professional .
Violin-making, as it was and is : being a historical, theoretical, and practical treatise on the science and art of violin-making, for the use of violin makers and players, amateur and professional .

George Chanot junior, excellent violon anglais, Londres
George Chanot junior, excellent violon anglais, Londres

In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad
In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad

Domenico Busan, Venice, c.1750 – Reuning & Son Violins
Domenico Busan, Venice, c.1750 – Reuning & Son Violins

Talking heads: 'Bergonzi definitely did not mean to make Stradivaris' |  Focus | The Strad
Talking heads: 'Bergonzi definitely did not mean to make Stradivaris' | Focus | The Strad

In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad
In Focus: c.1845-50 violin by Georges Chanot | Premium ❘ Feature | The Strad

John Dilworth discusses J. Cuypers & Son | Ingles & Hayday
John Dilworth discusses J. Cuypers & Son | Ingles & Hayday

The Rosenberg Collection, Pt. II - Milan | Ingles & Hayday
The Rosenberg Collection, Pt. II - Milan | Ingles & Hayday

Violin by George Chanot, Paris circa. 1840 - Photography
Violin by George Chanot, Paris circa. 1840 - Photography

The Rosenberg Collection, Pt. II - Milan | Ingles & Hayday
The Rosenberg Collection, Pt. II - Milan | Ingles & Hayday

T. E. Hesketh Violin early 20th C | Reverb
T. E. Hesketh Violin early 20th C | Reverb

Copy of the 'Chanot-Chardon' Stradivarius
Copy of the 'Chanot-Chardon' Stradivarius

June 2018 highlights: the 'ex-Sinzheimer' Guadagnini and more - Tarisio
June 2018 highlights: the 'ex-Sinzheimer' Guadagnini and more - Tarisio